The Week in Voice: Two Farewells, a Union Yes and a Cloned Podcast
Our Friday wrap: farewells to Eric Bauza and Patrick Stewart, SAG-AFTRA's AI dubbing win, awards in Madrid and Bogotá, and a hijacked podcast.
Continue readingOur Friday wrap: farewells to Eric Bauza and Patrick Stewart, SAG-AFTRA's AI dubbing win, awards in Madrid and Bogotá, and a hijacked podcast.
Continue readingPayment terms, deposits, the late-payment laws in New York, the UK and the EU, and the overpayment scam NAVA calls red flag number one.
Continue readingThe UK's Audio Production Awards name seven narrators and 53 audio drama actors on their 2026 shortlist. Winners are revealed on 26 November.
Continue readingBreaking news
SAG-AFTRA members ratified the 2026 TV animation contracts. A studio now needs consent before a replica dubs you into another language, and pay rises are backdated.
Continue readingCoaches, working voices, a 12 million email study and regulators in three countries on writing the pitch that gets a reply, and staying legal.
Continue readingEmily McGonagle left 3 a.m. legal finishes for a home studio in Essex. Now she voices eight characters in Spike, Netflix's top UK children's show.
Continue readingLaurie Burke voiced GrandCentral, which became Google Voice, with no contract. She tells Voice Over Herald how she learned of Google's purchase.
Continue readingDistance, angle and how still you stay shape your sound as much as your mic does. What Neumann, Sound On Sound, ACX and Dee Bradley Baker teach new voices.
Continue readingEvery winner of the 2026 Premios A Voz in Bogotá, from commercial demos and audiobooks to e-learning and audio description, with what they said.
Continue readingSelf-noise, sensitivity, gain and pickup pattern explained for voice actors, from the makers' own spec sheets for four common home booth mics.
Continue readingPeter Dickson shouts the acts onto Britain's Got Talent. His credit list, home studio and audition habits look a lot like any working voice actor's.
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