Voice Over Herald
VoiceEditSuiteNewAuto Clean Up now learns you.See how it works
VoiceEditSuiteAudition DirectorMarked-up scripts, ready to record.See how it works
VoiceEditSuiteNewAuto Clean Up now learns how you breathe.See how it works
VoiceEditSuitePerformance CoachA director's notes on every take.See how it worksVoiceEditSuiteNewYour breath. Your pace. Your edit.See how it works
VoiceEditSuiteThe Cold ReadPractise the skill that books work.See how it worksVoiceEditSuiteNewThe audio editor that learns how you breathe.See how it worksVoiceEditSuiteRate CalculatorKnow what to charge before you reply.See how it worksVoiceEditSuiteNewIt edits like you would, and it gets better every file.See how it worksVoiceEditSuiteLoudness NormalizerHit the broadcast spec first time.See how it worksVoiceEditSuiteNewAuto Clean Up now learns you.See how it worksVoiceEditSuiteScript Accuracy CheckerEvery word checked against the script.See how it worksVoiceEditSuiteNewAuto Clean Up now learns how you breathe.See how it worksVoiceEditSuiteRevision CheckerThe real cost of a script change.See how it worksVoiceEditSuiteNewYour breath. Your pace. Your edit.See how it worksVoiceEditSuiteHome Studio AnalysisHow your room really sounds, measured.See how it worksVoiceEditSuiteNewThe audio editor that learns how you breathe.See how it worksVoiceEditSuiteACX Audiobook PrepAudible-ready files, graded the way ACX grades.See how it worksVoiceEditSuiteNewIt edits like you would, and it gets better every file.See how it worksVoiceEditSuiteStudio RescueSave the take. Lose the noise.See how it works
If you’re suffering from pops in your recordings, this article may provide some First Aid. “I’m a sneaky P-popper,” said Frank Sinatra with a self-conscious smile. He was talking to one of his sound engineers during a 1965 recording of “It Was a Very Good...
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We continue with part 2 of Paul Fegan's series, recording of eLearning material and this time he delves into the main part of a project, the read. Part 1 covered topics such as sitting comfortably, working with a director and even lighting. All come into...
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Engineer Paul Fegan writes exclusively for Voice Over Herald, offering tips and advice, along with do’s and dont’s that apply to studio etiquette.
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Voice over director and audio engineer Paul Fegan pens this article on the process of recording audiobooks. [hr] I have been recording, directing and post-producing voiceover audio for the past 15 years. But until last summer, I had never recorded an audio book. An English...
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